Just because we haven't been taught to emphasize dreams as a genuine field for exploration doesn't mean they are not one. Dreams are analyzed for their meaning or are taken as portents, but never are they taken as a realm of real events.
To my knowledge, only the old sorcerers did that. But at the end they flubbed it. They got greedy, and when they came to a crucial crossroads, they took the wrong fork. They put all their eggs in one basket: the fixation of the assemblage point on the thousands of positions it can adopt.
Out of all the marvelous things the old sorcerers learned exploring those thousands of positions, only the art of dreaming and the art of stalking remain. The art of dreaming is concerned with the displacement of the assemblage point. Stalking is the art that deals with the fixation of the assemblage point on any location to which it is displaced.
To fixate the assemblage point on any new spot means to acquire cohesion. An apprentice does just that in his dreaming practices. He is perfecting his energy body. He is doing that and much more; he is learning to have cohesion. Dreaming does it by forcing dreamers to fixate the assemblage point. The dreaming attention, the energy body, the second attention, the relationship with inorganic beings, the dreaming emissary are but by-products of acquiring cohesion; in other words, they are all by-products of fixating the assemblage point on a number of dreaming positions.
A dreaming position is any new position to which the assemblage point has been displaced during sleep. We fixate the assemblage point on a dreaming position by sustaining the view of any item in our dreams, or by changing dreams at will. Through his dreaming practices, an apprentice is really exercising his capacity to be cohesive; that is to say, he is exercising his capacity to maintain a new energy shape by holding the assemblage point fixed on the position of any particular dream he is having. While exercising his capacity to maintain a new energy shape, he isn't really maintaining a new energy shape yet, not exactly, and not because he can't but only because he is shifting the assemblage point instead of moving it. Shifts of the assemblage point give rise to minute changes, which are practically unnoticeable. The challenge of shifts is that they are so small and so numerous that to maintain cohesiveness in all of them is a triumph.
We know we are maintaining cohesion by the clarity of our perception. The clearer the view of our dreams, the greater our cohesion.
I'm going to tell you about a practical application of what an apprentice learns in dreaming. He focuses his attention, as if he is in a dream, on the foliage of a tree. He doesn't just gaze at it; he does something very special with the foliage. Remember, I've said that in dreaming, once you are able to hold the view of any item, you are really holding the dreaming position of your assemblage point. So then, an apprentice gazes at the leaves of a tree as if he is in a dream, but with a slight yet most meaningful variation: he holds his dreaming attention on the leaves of the tree in the awareness of our daily world.
By staring at the foliage, he accomplishes a minute displacement of his assemblage point. Then, by summoning his dreaming attention through staring at individual leaves, he actually fixates that minute displacement, and his cohesion makes him perceive in terms of the second attention. The process is so simple it is ridiculous.
Our speech faculty is extremely flimsy and attacks of muteness are common among sorcerers who venture this way, beyond the limits of normal perception.
It is not possible for one to rely on one's rationality to understand such an experience as summoning one's dreaming attention through staring at individual leaves. Not because our rationality is in any way impaired but because what takes place is a phenomenon outside the parameters of reason.
Reason is only a by-product of the habitual position of the assemblage point; therefore, knowing what is going to, being of sound mind, having our feet on the ground--sources of great pride to us and assumed to be a natural consequence of our worth--are merely the result of the fixation of the assemblage point on its habitual place. The more rigid and stationary it is, the greater our confidence in ourselves, the greater our feeling of knowing the world, of being able to predict.
What dreaming does is give us the fluidity to enter into other worlds by destroying our sense of knowing this world. Dreaming is a journey of unthinkable dimensions, a journey that, after making us perceive everything we can humanly perceive, makes the assemblage point jump outside the human domain and perceive the inconceivable.
We are back again, harping on the most important topic of the sorcerers' world; the position of the assemblage point. The old sorcerers' curse, as well as mankind's thorn in the side. I say that because both, mankind in general and the old sorcerers, fell prey to the position of the assemblage point: mankind, because by not knowing that the assemblage point exists we are obliged to take the by-product of its habitual position as something final and indisputable. And the old sorcerers because, although they knew all about the assemblage point, they fell for its facility to be manipulated. You must avoid falling into those traps.
Different worlds exist in the position of the assemblage point. You will have two choices. One, to follow mankind's rationales and be faced with a predicament: your experience will tell you that other worlds exist, but your reason will say that such worlds do not and cannot exist. The other, to follow the old sorcerers' rationales, in which case you will automatically accept the existence of other worlds, and your greed alone will make your assemblage point hold on to the position that creates those worlds. The result would be another kind of predicament: that of having to move physically into vision-like realms, driven by expectations of power and gain.