...this is not a work of fiction. What I am describing is alien to us; therefore, it seems unreal.

Nothing in the world is a gift. Whatever there is to learn has to be learned the hard way.
The basic premise of sorcery for a sorcerer is that the world of everyday life is not real, or out there, as we believe it is. For a sorcerer, reality, or the world we all know, is only a description.
For the sake of validating this premise I will concentrate the best of my efforts into leading you into a genuine conviction that what you hold in mind as the world at hand is merely a description of the world; a description that has been pounded into you from the moment you were born.
Everyone who comes into contact with a child is a teacher who incessantly describes the world to him, until the moment when the child is capable of perceiving the world as it is described. We have no memory of that portentous moment, simply because none of us could possibly have had any point of reference to compare it to anything else. From that moment on, however, the child is a member. He knows the description of the world; and his membership becomes full-fledged, perhaps, when he is capable of making all the proper perceptual interpretations which, by conforming to that description, validate it.
The reality of our day-to-day life, then, consists of an endless flow of perceptual interpretations which we, the individuals who share a specific membership, have learned to make in common.
The idea that the perceptual interpretations that make up the world have a flow is congruous with the fact that they run uninterruptedly and are rarely, if ever, open to question. In fact the reality of the world we know is so taken for granted that the basic premise of sorcery, that our reality is merely one of many descriptions, can hardly be taken as a serious proposition.
Fortunately for you, I'm not concerned at all with whether or not you can take my proposition seriously, and thus I will proceed to elucidate my points, in spite of your opposition, your disbelief, and your inability to understand what I am saying. Thus, as a teacher of sorcery, my endeavor is to describe the world to you. Your difficulty in grasping my concepts and methods will stem from the fact that the units of my description are alien and incompatible with those of your own.
I am teaching you how to see as opposed to merely looking, and stopping the world is the first step to seeing.
Stopping the world is not a cryptic metaphor that really doesn't mean anything. And its scope and importance as one of the main propositions of my knowledge should not be misjudged.

I am teaching you how to stop the world. Nothing will work, however, if you are very stubborn. Be less stubborn, and you will probably stop the world with any of the techniques I teach you. Everything I will tell you to do is a technique for stopping the world.
For a sorcerer, reality, or the world we all know, is only a description that has been pounded into you from the moment you were born. The reality of our day-to-day life, then, consists of an endless flow of perceptual interpretations which we have learned to make in common. I am teaching you how to see as opposed to merely looking, and stopping the world is the first step to seeing.
The sorcerer's description of the world is perceivable. But our insistence on holding on to our standard version of reality renders us almost deaf and blind to it. When you begin this teaching, there is another reality, that is to say, there is a sorcery description of the world, which you do not know. As a sorcerer and a teacher, I am teaching you that description. What I am doing with you consists, therefore, in setting up that unknown reality by unfolding its description, adding increasingly more complex parts as you go along.
In order to arrive at seeing one first has to stop the worldStopping the world is indeed an appropriate rendition of certain states of awareness in which the reality of everyday life is altered because the flow of interpretation, which ordinarily runs uninterruptedly, has been stopped by a set of circumstances alien to that flow. In this case the set of circumstances alien to our normal flow of interpretations is the sorcery description of the world. The precondition for stopping the world is that one has to be convinced; in other words, one has to learn the new description in a total sense, for the purpose of pitting it against the old one, and in that way break the dogmatic certainty, which we all share, that the validity of our perceptions, or our reality of the world, is not to be questioned.
After stopping the world the next step is seeing. By that I mean what could be categorized as responding to the perceptual solicitations of a world outside the description we have learned to call reality.

All these steps can only be understood in terms of the description to which they belong; a description that I'm endeavoring to give you. Let, then, this teaching be the source of entrance into that description.
A man of knowledge is one who has followed truthfully the hardships of learning, a man who has, without rushing or without faltering, gone as far as he can in unraveling the secrets of power and knowledge. To become a man of knowledge one must challenge and defeat his four natural enemies.
When a man starts to learn, he is never clear about his objectives. His purpose is faulty; his intent is vague. He hopes for rewards that will never materialize for he knows nothing of the hardships of learning.
He slowly begins to learn--bit by bit at first, then in big chunks. And his thoughts soon clash. What he learns is never what he pictured, or imagined, and so he begins to be afraid. Learning is never what one expects. Every step of learning is a new task, and the fear the man is experiencing begins to mount mercilessly, unyieldingly. His purpose becomes a battlefield.
And thus he has stumbled upon the first of his natural enemies: fear! A terrible enemy--treacherous, and difficult to overcome. It remains concealed at every turn of the way, prowling, waiting. And if the man, terrified in its presence, runs away, his enemy will have put an end to his quest and he will never learn. He will never become a man of knowledge. He will perhaps be a bully, or a harmless, scared man; at any rate, he will be a defeated man. His first enemy will have put an end to his cravings.
It is not possible for a man to abandon himself to fear for years, then finally conquer it. If he gives in to fear he will never conquer it, because he will shy away from learning and never try again. But if he tries to learn for years in the midst of his fear, he will eventually conquer it because he will never have really abandoned himself to it.
Therefore he must not run away. He must defy his fear, and in spite of it he must take the next step in learning, and the next, and the next. He must be fully afraid, and yet he must not stop. That is the rule! And a moment will come when his first enemy retreats. The man begins to feel sure of himself. His intent becomes stronger. Learning is no longer a terrifying task.
When this joyful moment comes, the man can say without hesitation that he has defeated his first natural enemy. It happens little by little, and yet the fear is vanquished suddenly and fast. Once a man has vanquished fear, he is free from it for the rest of his life because, instead of fear, he has acquired clarity--a clarity of mind which erases fear. By then a man knows his desires; he knows how to satisfy those desires. He can anticipate the new steps of learning and a sharp clarity surrounds everything. The man feels that nothing is concealed.
And thus he has encountered his second enemy: Clarity! That clarity of mind, which is so hard to obtain, dispels fear, but also blinds. It forces the man never to doubt himself. It gives him the assurance he can do anything he pleases, for he sees clearly into everything. And he is courageous because he is clear, and he stops at nothing because he is clear. But all that is a mistake; it is like something incomplete. If the man yields to this make-believe power, he has succumbed to his second enemy and will be patient when he should rush. And he will fumble with learning until he winds up incapable of learning anything more. His second enemy has just stopped him cold from trying to become a man of knowledge. Instead, the man may turn into a buoyant warrior, or a clown. Yet the clarity for which he has paid so dearly will never change to darkness and fear again. He will be clear as long as he lives, but he will no longer learn, or yearn for, anything.
He must do what he did with fear: he must defy his clarity and use it only to see, and wait patiently and measure carefully before taking new steps; he must think, above all, that his clarity is almost a mistake. And a moment will come when he will understand that his clarity was only a point before his eyes. And thus he will have overcome his second enemy, and will arrive at a position where nothing can harm him anymore. This will not be a mistake. It will not be only a point before his eyes. It will be true power.
He will know at this point that the power he has been pursuing for so long is finally his. He can do with it whatever he pleases. His ally is at his command. His wish is the rule. He sees all that is around him. But he has also come across his third enemy: Power!
Power is the strongest of all enemies. And naturally the easiest thing to do is to give in; after all, the man is truly invincible. He commands; he begins by taking calculated risks, and ends in making rules, because he is a master.
A man at this stage hardly notices his third enemy closing in on him. And suddenly, without knowing, he will certainly have lost the battle. His enemy will have turned him into a cruel, capricious man, but he will never lose his clarity or his power.
A man who is defeated by power dies without really knowing how to handle it. Power is only a burden upon his fate. Such a man has no command over himself, and cannot tell when or how to use his power.
Once one of these enemies overpowers a man there is nothing he can do. It is not possible, for instance, that a man who is defeated by power may see his error and mend his ways. Once a man gives in he is through. If, however, he is temporarily blinded by power, and then refuses it, his battle is still on. That means he is still trying to become a man of knowledge. A man is defeated only when he no longer tries, and abandons himself.
He has to come to realize that the power he has seemingly conquered is in reality never his. He must keep himself in line at all times, handling carefully and faithfully all that he has learned. If he can see that clarity and power, without his control over himself, are worse than mistakes, he will reach a point where everything is held in check. He will know then when and how to use his power. And thus he will have defeated his third enemy.
The man will be, by then, at the end of his journey of learning, and almost without warning he will come upon the last of his enemies: Old age! This enemy is the cruelest of all, the one he won't be able to defeat completely, but only fight away.
This is the time when a man has no more fears, no more impatient clarity of mind--a time when all his power is in check, but also the time when he has an unyielding desire to rest. If he gives in totally to his desire to lie down and forget, if he soothes himself in tiredness, he will have lost his last round, and his enemy will cut him down into a feeble old creature. His desire to retreat will overrule all his clarity, his power, and his knowledge.
But if the man sloughs off his tiredness, and lives his fate though, he can then be called a man of knowledge, if only for the brief moment when he succeeds in fighting off his last, invincible enemy. That moment of clarity, power, and knowledge is enough.
Anything is one of a million paths. Therefore you must always keep in mind that a path is only a path; if you feel you should not follow it, you must not stay with it under any conditions. To have such clarity you must lead a disciplined life. Only then will you know that any path is only a path and there is no affront, to oneself or to others, in dropping it if that is what your heart tells you to do. But your decision to keep on the path or to leave it must be free of fear or ambition. I warn you. Look at every path closely and deliberately. Try it as many times as you think necessary.
This question is one that only a very old man asks. Does this path have a heart? All paths are the same: they lead nowhere. They are paths going through the bush, or into the bush. In my own life I could say I have traversed long long paths, but I am not anywhere. Does this path have a heart? If it does, the path is good; if it doesn't, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn't. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you. 
Before you embark on any path ask the question: Does this path have a heart? If the answer is no, you will know it, and then you must choose another path. The trouble is nobody asks the question; and when a man finally realizes that he has taken a path without a heart, the path is ready to kill him. At that point very few men can stop to deliberate, and leave the path. A path without a heart is never enjoyable. You have to work hard even to take it. On the other hand, a path with heart is easy; it does not make you work at liking it.
I have told you that to choose a path you must be free from fear and ambition. The desire to learn is not ambition. It is our lot as men to want to know.
The path without a heart will turn against men and destroy them. It does not take much to die, and to seek death is to seek nothing.

For me there is only the traveling on the paths that have a heart, on any path that may have a heart. There I travel, and the only worthwhile challenge for me is to traverse its full length. And there I travel--looking, looking, breathlessly.
You think about yourself too much and that gives you a strange fatigue that makes you shut off the world around you and cling to your arguments.
A light and amenable disposition is needed in order to withstand the impact and the strangeness of the knowledge I am teaching you. Feeling important makes one heavy, clumsy, and vain. To be a man of knowledge one needs to be light and fluid.
One has to reduce to a minimum all that is unnecessary in one's life. 
Once you decide something put all your petty fears away. Your decision should vanquish them. I will tell you time and time again, the most effective way to live is as a warrior. Worry and think before you make any decision, but once you make it, be on your way free from worries or thoughts; there will be a million other decisions still awaiting you. That's the warrior's way.
A warrior thinks of his death when things become unclear. The idea of death is the only thing that tempers our spirit.
To be a warrior you have to be crystal clear.
My acts are sincere but they are only the acts of an actor because everything I do is controlled folly. Everything I do in regard to myself and my fellow men is folly, because nothing matters.
Certain things in your life matter to you because they're important; your acts are certainly important to you, but for me, not a single thing is important any longer, neither my acts nor the acts of any of my fellow men. I go on living though, because I have my will. Because I have tempered my will throughout my life until it's neat and wholesome and now it doesn't matter to me that nothing matters. My will controls the folly of my life.
Once a man learns to see he finds himself alone in the world with nothing but folly. Your acts, as well as the acts of your fellow men in general, appear to be important to you because you have learned to think they are important.
We learn to think about everything, and then we train our eyes to look as we think about the things we look at. We look at ourselves already thinking that we are important. And therefore we've got to feel important! But then when a man learns to see, he realizes that he can no longer think about the things he looks at, and if he cannot think about what he looks at everything becomes unimportant. Everything is equal and therefore unimportant.
We need to look with our eyes to laugh. When our eyes see, everything is so equal that nothing is funny. My laughter, as well as everything I do is real but it also is controlled folly because it is useless; it changes nothing and yet I still do it.
One must always choose the path with heart in order to be at one's best, perhaps so one can always laugh.
You don't understand me now because of your habit of thinking as you look and thinking as you think. By "thinking" I mean the constant idea that we have of everything in the world. Seeing dispels that habit and until you learn to see you will not really understand what I mean.
Our lot as men is to learn. I have learned to see and I tell you that nothing really matters. A man of knowledge lives by acting, not by thinking about acting, nor by thinking about what he will think when he has finished acting. A man of knowledge chooses a path with heart and follows it; and then he looks and rejoices and laughs; and then he sees and knows. He knows that his life will be over altogether too soon; he knows that he, as well as everybody else, is not going anywhere; he knows, because he sees, that nothing is more important than anything else. In other words, a man of knowledge has no honor, no dignity, no family, no name, no country, but only life to be lived, and under these circumstances his only tie to his fellow men is his controlled folly. Thus a man of knowledge endeavors, and sweats, and puffs, and if one looks at him he is just like any ordinary man, except that the folly of his life is under control. Nothing being more important than anything else, a man of knowledge chooses any act, and acts it out as if it matters to him. His controlled folly makes him say that what he does matters and makes him act as if it did, and yet he knows that it doesn't; so when he fulfills his acts he retreats in peace, and whether his acts were good or bad, or worked or didn't, is in no way part of his concern.
You think about your acts, therefore you have to believe your acts are as important as you think they are, when in reality nothing of what one does is important. Nothing! But then if nothing really matters, as you ask me, how can I go on living? It would be simple to die; that's what you say and believe, because you're thinking about life, just as you're thinking now what seeing would be like. You want me to describe it to you so you can begin to think about it, the way you do with everything else. In the case of seeing, however, thinking is not the issue at all, so I cannot tell you what it is like to see. Now you want me to describe the reasons for my controlled folly and I can only tell you that controlled folly is very much like seeing; it is something you cannot think about.
Our lot as men is to learn and, as I've said, one goes to knowledge as one goes to war; with fear, with respect, aware that one is going to war, and with absolute confidence in oneself. Put your trust in yourself. There's no emptiness in the life of a man of knowledge, everything is filled to the brim and everything is equal. For me there is no victory, or defeat, or emptiness. Everything is filled to the brim and everything is equal and my struggle is worth my while.
In order to become a man of knowledge one must be a warrior. One must strive without giving up, without a complaint, without flinching, until one sees, only to realize then that nothing matters. You're too concerned with liking people or with being liked yourself. A man of knowledge likes, that's all. He likes whatever or whoever he wants, but he uses his controlled folly to be unconcerned about it.
My controlled folly applies only to myself and to the acts I perform while in the company of my fellow men.
You must talk to the plants you're going to pick before you pick them. In order to see the plants you must talk to them personally, you must get to know them individually; then the plants can tell you anything you care to know about them.
You fail to understand that I am not joking. When a sorcerer attempts to see, he attempts to gain power.
You think everything in the world is simple to understand because everything you do is a routine that is simple to understand.

You have to have an unbending intent in order to become a man of knowledge.
A warrior takes responsibility for his acts; for the most trivial of his acts. He waits patiently, knowing that he is waiting, and knowing what he is waiting for. That is the warrior's way.
What makes us unhappy is to want. Yet if we would learn to cut our wants to nothing, the smallest thing we'd get would be a true gift. To be poor or wanting is only a thought; and so is to hate, or to be hungry, or to be in pain. They are only thoughts for me now, I have accomplished that feat. The power to do that is all we have, mind you, to oppose the forces of our lives; without that power we are dregs, dust in the wind.

It is up to us as single individuals to oppose the forces of our lives. Only a warrior can survive. A warrior knows that he is waiting and what he is waiting for; and while he waits he wants nothing and thus whatever little thing he gets is more than he can take. If he needs to eat he finds a way, because he is not hungry; if something hurts his body he finds a way to stop it, because he is not in pain. To be hungry or to be in pain means that the man has abandoned himself and is no longer a warrior; and the forces of his hunger and pain will destroy him.
The countless paths one traverses in one's life are all equal. Oppressors and oppressed meet at the end, and the only thing that prevails is that life was altogether too short for both.
You must act like a warrior. One learns to act like a warrior by acting, not by talking. A warrior has only his will and his patience and with them he builds anything he wants. You have no more time for retreats or for regrets. You only have time to live like a warrior and work for patience and will.
Will is something very special. It happens mysteriously. There is no real way of telling how one uses it, except that the results of using the will are astounding. Perhaps the first thing that one should do is to know that one can develop the will. A warrior knows that and proceeds to wait for it.
A warrior knows that he is waiting and knows what he is waiting for. It is very difficult, if not impossible, for the average man to know what he is waiting for. A warrior, however, has no problems; he knows that he is waiting for his will.
Will is something very clear and powerful which can direct our acts. Will is something a man uses, for instance, to win a battle which he, by all calculations, should lose. It is not what we call courage. Courage is something else. Men of courage are dependable men, noble men perennially surrounded by people who flock around them and admire them; yet very few men of courage have will. Usually they are fearless men who are given to performing daring common-sense acts; most of the time a courageous man is also fearsome and feared. Will, on the other hand, has to do with astonishing feats that defy our common sense. You may say that it is a kind of control.
Will is not what one calls "will power." Denying oneself certain things with "will power," is an indulgence and I don't recommend anything of the kind. The indulgence of denying is by far the worst; it forces us to believe we are doing great things, when in effect we are only fixed within ourselves.
Will is a power. And since it is a power it has to be controlled and tuned and that takes time. When I was your age I was as impulsive as you. Yet I have changed. Our will operates in spite of our indulgence. For example your will is already opening your gap, little by little.
There is a gap in us; like the soft spot on the head of a child which closes with age, this gap opens as one develops one's will. It's an opening. It allows a space for the will to shoot out, like an arrow. What a sorcerer calls will is a power within ourselves. It is not a thought, or an object, or a wish. An act of "will power" is not will because such an act needs thinking and wishing. Will is what can make you succeed when your thoughts tell you that you're defeated. Will is a force which is the true link between men and the world.
The world is whatever we perceive, in any manner we may choose to perceive. Perceiving the world entails a process of apprehending whatever presents itself to us. This particular perceiving is done with our senses and with our willWill is a relation between ourselves and the perceived world.
What the average man calls will is character and strong disposition. What a sorcerer calls will is a force that comes from within and attaches itself to the world out there. One can perceive the world with the senses as well as with the will.
An average man can "grab" the things of the world only with his hands, or his senses, but a sorcerer can grab them also with his will. I cannot really describe how it is done, but you yourself, for instance, cannot describe to me how you hear. It happens that I am also capable of hearing, so we can talk about what we hear, but not about how we hear. A sorcerer uses his will to perceive the world. That perceiving, however, is not like hearing. When we look at the world or when we hear it, we have the impression that it is out there and that it is real. When we perceive the world with our will we know that the world is not as "out there" or as "real" as we think.
Will is a force, a power. Seeing is not a force, but rather a way of getting through things. A sorcerer may have a very strong will and yet he may not see; which means that only a man of knowledge perceives the world with his senses and with his will and also with his seeing.

Now you know you are waiting for your will. You still don't know what it is, or how it could happen to you. So watch carefully everything you do. The very thing that could help you develop your will is amidst all the little things you do.
When a man embarks on the paths of sorcery he becomes aware, in a gradual manner, that ordinary life has been forever left behind; that knowledge is indeed a frightening affair; that the means of the ordinary world are no longer a buffer for him; and that he must adopt a new way of life if he is going to survive. The first thing he ought to do, at that point, is to want to become a warrior. The frightening nature of knowledge leaves one no alternative but to become a warrior.
By the time knowledge becomes a frightening affair the man also realizes that death is the irreplaceable partner that sits next to him on the mat. Every bit of knowledge that becomes power has death as its central force. Death lends the ultimate touch and whatever is touched by death indeed becomes power.
A man who follows the paths of sorcery is confronted with imminent annihilation every turn of the way, and unavoidably he becomes keenly aware of his death. Without the awareness of death he would be only an ordinary man involved in ordinary acts. He would lack the necessary potency, the necessary concentration that transforms one's ordinary time on earth into magical power.
Thus to be a warrior a man has to be, first of all, and rightfully so, keenly aware of his own death. But to be concerned with death would force any one of us to focus on the self and that would be debilitating.
So the next thing one needs to be a warrior is detachment. The idea of imminent death, instead of becoming an obsession, becomes an indifference.
Now you must detach yourself; detach yourself from everything. Only the idea of death makes a man sufficiently detached so he is incapable of abandoning himself to anything. Only the idea of death makes a man sufficiently detached so he can't deny himself anything. A man of that sort, however, does not crave, for he has acquired a silent lust for life and for all things of life. He knows his death is stalking him and won't give him time to cling to anything, so he tries, without craving, all of everything.
A detached man, who knows he has no possibility of fencing off his death, has only one thing to back himself with: the power of his decisions. He has to be, so to speak, the master of his choices. He must fully understand that his choice is his responsibility and once he makes it there is no longer time for regrets or recriminations. His decisions are final, simply because his death does not permit him time to cling to anything.
And thus with an awareness of his death, with his detachment, and with the power of his decisions a warrior sets his life in a strategical manner. The knowledge of his death guides him and makes him detached and silently lusty; the power of his final decisions makes him able to choose without regrets and what he chooses is always strategically the best; and so he performs everything he has to with gusto and lusty efficiency.
When a man behaves in such a manner one may rightfully say that he is a warrior and has acquired patience. When a warrior has acquired patience he is on his way to will. He knows how to wait. His death sits with him on his mat, they are friends. His death advises him, in mysterious ways, how to choose, how to live strategically. And the warrior waits! I would say that the warrior learns without any hurry because he knows he is waiting for his will; and one day he succeeds in performing something ordinarily quite impossible to accomplish. He may not even notice his extraordinary deed. But as he keeps on performing impossible acts, or as impossible things keep on happening to him, he becomes aware that a sort of power is emerging.
A power that comes out of his body as he progresses on the path of knowledge. He notices that he can actually touch anything he wants with a feeling that comes out of his body from a spot right below or right above his navel. That feeling is the will, and when he is capable of grabbing with it, one can rightfully say that the warrior is a sorcerer, and that he has acquired will.
A man can go still further than that; a man can learn to see. Upon learning to see he no longer needs to live like a warrior, nor be a sorcerer. Upon learning to see a man becomes everything by becoming nothing. He, so to speak, vanishes and yet he's there. I would say that this is the time when a man can be or can get anything he desires. But he desires nothing, and instead of playing with his fellow men like they were toys, he meets them in the midst of their folly. The only difference between them is that a man who sees controls his folly, while his fellow men can't. A man who sees has no longer an active interest in his fellow men. Seeing has already detached him from absolutely everything he knew before.
Don't let the idea of being detached from everything you know give you the chills. The thing which should give you the chills is not to have anything to look forward to but a lifetime of doing that which you have always done. Think of the man who plants corn year after year until he's too old and tired to get up, so he lies around like an old dog. His thoughts and feelings, the best of him, ramble aimlessly to the only thing he has ever done, to plant corn. For me that is the most frightening waste there is.
We are men and our lot is to learn and to be hurled into inconceivable new worlds. Seeing is for impeccable men. Temper your spirit now, become a warrior, learn to see, and then you'll know that there is no end to the new worlds for our vision.
When you see there are no longer familiar features in the world. Everything is new. Everything has never happened before. The world is incredible! Everything you gaze at becomes nothing!
Things don't disappear, they don't vanish, they simply become nothing and yet they are still there. Seeing makes one realize the unimportance of everything.

Seeing is learned by seeing.
A warrior treats everything with respect and does not trample on anything unless he has to. He does not abandon himself to anything, not even to his death. He is not a willing partner and not available, and if he involves himself with something, you can be sure that he is aware of what he is doing. For a warrior there is nothing out of control. Life for a warrior is an exercise in strategy. But you want to find the meaning of life. A warrior doesn't care about meanings. He would set his life strategically. Thus if he couldn't avoid an accident he would find means to offset his handicap, or avoid its consequences, or battle against them. He would be battling to the end.
A warrior is never available; never is he standing on the road waiting to be clobbered. Thus he cuts to a minimum his chances of the unforeseen.

A warrior is never idle and never in a hurry. 
When a man learns to see, not a single thing he knows prevails. Not a single one. Nothing is known; nothing remains as we used to know it when we didn't see.
A warrior lives strategically and never carries loads he cannot handle.
Nothing is pending in the world, nothing is finished, yet nothing is unresolved.
The path of knowledge is a forced one. In order to learn we must be spurred. In the path of knowledge we are always fighting something, avoiding something, prepared for something; and that something is always inexplicable, greater, more powerful than us. The inexplicable forces will come to you. Later on it'll be your own ally, so there is nothing you can do now but to prepare yourself for the struggle.
The world is indeed full of frightening things and we are helpless creatures surrounded by forces that are inexplicable and unbending. The average man, in ignorance, believes that those forces can be explained or changed; he doesn't really know how to do that, but he expects that the actions of mankind will explain them or change them sooner or later. A sorcerer, on the other hand, does not think of explaining or changing them; instead, he learns to use such forces by redirecting himself and adapting to their direction. That's his trick. There is very little to sorcery once you find out its trick. A sorcerer, by opening himself to knowledge, falls prey to those forces and has only one means of balancing himself, his will; thus he must feel and act like a warrior. I will repeat this once more: Only as a warrior can one survive the path of knowledge. What helps a sorcerer live a better life is the strength of being a warrior.
It is my commitment to teach you to see. I am compelled, therefore, to teach you to feel and act like a warrior. To see without first being a warrior would make you weak; it would give you a false meekness, a desire to retreat; your body would decay because you would become indifferent. It is my personal commitment to make you a warrior so you won't crumble.
A warrior should be prepared only to battle. His spirit is not geared to indulging and complaining, nor is it geared to winning or losing. The spirit of a warrior is geared only to struggle, and every struggle is a warrior's last battle on earth. Thus the outcome matters very little to him. In his last battle on earth a warrior lets his spirit flow free and clear. And as he wages his battle, knowing that his will is impeccable, a warrior laughs and laughs.
A warrior selects the items that make his world. He selects deliberately, for every item he chooses is a shield that protects him from the onslaughts of the forces he is striving to use. The average man who is equally surrounded by those inexplicable forces is oblivious to them because he has other kinds of special shields to protect himself.
People are busy doing that which people do. Those are their shields. Whenever a sorcerer has an encounter with any of those inexplicable and unbending forces we will talk about, his gap opens, making him more susceptible to his death than he ordinarily is. We die through that gap, therefore if it is open one should have his will ready to fill it; that is, if one is a warrior. If one is not a warrior, like yourself, then one has no other recourse but to use the activities of daily life to take one's mind away from the fright of the encounter and thus to allow one's gap to close.
Act like a warrior and select the items of your world. You cannot surround yourself with things helter-skelter any longer. I tell you this in a most serious vein. A warrior encounters those inexplicable and unbending forces because he is deliberately seeking them, thus he is always prepared for the encounter. The first thing you must do, then, is be prepared. A warrior takes the responsibility of protecting his life. Then if any of those forces tap him and open his gap, he must deliberately strive to close it by himself. For that purpose he must have a selected number of things that give him great peace and pleasure, things which he can deliberately use to take his thoughts from his fright and close his gap and make him solid.

In his day-to-day life a warrior chooses to follow the path with heart. It is the consistent choice of the path with heart which makes a warrior different from the average man. He knows that a path has heart when he is one with it, when he experiences a great peace and pleasure traversing its length. The things a warrior selects to make his shields are the items of a path with heart. You must surround yourself with the items of a path with heart and you must refuse the rest.
You must stop talking to yourself. Every one of us does that. We carry on an internal talk. We talk about our world. In fact we maintain our world with our internal talk. Whenever we finish talking to ourselves the world is always as it should be. We renew it, we kindle it with life, we uphold it with our internal talk. Not only that, but we also choose our paths as we talk to ourselves. Thus we repeat the same choices over and over until the day we die, because we keep on repeating the same internal talk over and over until the day we die.
A warrior is aware of this and strives to stop his talking. This is the last point you have to know if you want to live like a warrior. First of all you must use your ears to take some of the burden from your eyes. We have been using our eyes to judge the world since the time we were born. We talk to others and to ourselves mainly about what we see. A warrior is aware of that and listens to the world; he listens to the sounds of the world. He is aware that the world will change as soon as he stops talking to himself and he must be prepared for that monumental jolt.
The world is such-and-such or so-and-so only because we tell ourselves that that is the way it is. If we stop telling ourselves that the world is so-and-so, the world will stop being so-and-so. You must start slowly to undo the world.
Your problem is that you confuse the world with what people do. The things people do are the shields against the forces that surround us; what we do as people gives us comfort and makes us feel safe; what people do is rightfully very important, but only as a shield. We never learn that the things we do as people are only shields and we let them dominate and topple our lives. In fact I could say that for mankind, what people do is greater and more important than the world itself.
The world is all that is encased here; life, death, people, the allies, and everything else that surrounds us. The world is incomprehensible. We won't ever understand it; we won't ever unravel its secrets. Thus we must treat it as it is, a sheer mystery!
An average man doesn't do this, though. The world is never a mystery for him, and when he arrives at old age he is convinced he has nothing more to live for. An old man has not exhausted the world. He has exhausted only what people do. But in his stupid confusion he believes that the world has no more mysteries for him. What a wretched price to pay for our shields!
A warrior is aware of this confusion and learns to treat things properly. The things that people do cannot under any conditions be more important than the world. And thus a warrior treats the world as an endless mystery and what people do as an endless folly.
Focus all your attention on listening to sounds and do your best to find the holes between the sounds. Stay in complete alertness.
Everything is meaningful for a sorcerer. The sounds have holes in them and so does everything around you. Ordinarily a man does not have the speed to catch the holes, and thus he goes through life without protection. The worms, the birds, the trees, all of them can tell us unimaginable things if only one could have the speed to grasp their message.
Fright is something one can never get over. A warrior cannot indulge, thus he cannot die of fright. Your difficulty is that you want to understand everything, and that is not possible. If you insist on understanding you're not considering your entire lot as a human being. Your stumbling block is intact.

Understanding is only a very small affair, so very small--yet sober understanding is vital.
Only by acting can one become a sorcerer.
You now have the need to live like a warrior.
There is no need for us to say anything about others. There is no need for you or for me to regard other's actions in our thoughts one way or another. The worst thing we can do is to force people to agree with us. I mean that we shouldn't try to impose our will when people don't behave the way we want them to. The worst thing one can do is to confront human beings bluntly. A warrior proceeds strategically. If one wants to stop our fellow men one must always be outside the circle that presses them. That way one can always direct the pressure.
Fright never injures anyone. What injures the spirit is having someone always on your back, beating you, telling you what to do and what not to do.
People hardly ever realize that we can cut anything from our lives, any time, just like that. For example, smoking and drinking are nothing. Nothing at all if we want to drop them. Only one thing is indispensable for anything we do; the spirit. One can't do without the spirit.
I have no routines or personal history. One day I found out that they were no longer necessary for me and, like drinking, I dropped them. One must have the desire to drop them and then one must proceed harmoniously to chop them off, little by little. If you have no personal history, no explanations are needed; nobody is angry or disillusioned with your acts. And above all no one pins you down with their thoughts. It is best to erase all personal history because that makes us free from the encumbering thoughts of other people. I have, little by little, created a fog around me and my life. And now nobody knows for sure who I am or what I do. Not even I. How can I know who I am, when I am all this?
Little by little you must create a fog around yourself; you must erase everything around you until nothing can be taken for granted, until nothing is any longer for sure, or real. Your problem now is that you're too real. Your endeavors are too real; your moods are too real. Don't take things so for granted. You must begin to erase yourself.
You've said that you want to learn about plants. Let's put it this way then. If you want to learn about plants, since there is really nothing to say about them, you must, among other things, erase your personal history.
Begin with simple things, such as not revealing what you really do. What's wrong is that once people know you, you are an affair taken for granted and from that moment on you won't be able to break the tie of their thoughts. I personally like the ultimate freedom of being unknown. No one knows me with steadfast certainty, the way people know you, for instance.
From now on you must simply show people whatever you care to show them, but without ever telling exactly how you've done it. You see, we only have two alternatives; we either take everything for sure and real, or we don't. If we follow the first, we end up bored to death with ourselves and with the world. If we follow the second and erase personal history, we create a fog around us, a very exciting and mysterious state in which nobody knows where the rabbit will pop out, not even ourselves.

When nothing is for sure we remain alert, perennially on our toes. It is more exciting not to know which bush the rabbit is hiding behind than to behave as though we know everything.
You have to curl your fingers gently as you walk in order to keep your attention on the trail and the surroundings. Your ordinary way of walking is debilitating and you should never carry anything in your hands. If things have to be carried one should use a knapsack or any sort of carrying net or shoulder bag. By forcing the hands into a specific position one is capable of greater stamina and greater awareness.
If you really want to learn, you have to remodel most of your behavior. You take yourself too seriously. You are too damn important in your own mind. That must be changed! You are so goddamn important that you feel justified to be annoyed with everything. You're so damn important that you can afford to leave if things don't go your way. I suppose you think that shows you have character. That's nonsense! You're weak, and conceited! In the course of your life you have not ever finished anything because of that sense of disproportionate importance that you attach to yourself.
Self-importance is another thing that must be dropped, just like personal history. The world around us is very mysterious. It doesn't yield its secrets easily. Now we are concerned with losing self-importance. As long as you feel that you are the most important thing in the world you cannot really appreciate the world around you. You are like a horse with blinders, all you see is yourself apart from everything else.
To help you lose self-importance talk to little plants. It doesn't matter what you say to a plant, what's important is the feeling of liking it, and treating it as an equal.
A man who gathers plants must apologize every time for taking them and must assure them that someday his own body will serve as food for them. So, all in all, the plants and ourselves are even. Neither we nor they are more or less important. From now on talk to the little plants, talk until you lose all sense of importance. Talk to them until you can do it in front of others. You must talk to them in a loud and clear voice if you want them to answer you.
The world around us is a mystery, and men are no better than anything else. If a little plant is generous with us we must thank her, or perhaps she will not let us go.
You have to be aware of the uselessness of your self-importance and of your personal history.
Your death can give you a little warning, it always comes as a chill. Death is our eternal companion, it is always to our left, at an arm's length.
How can anyone feel so important when we know that death is stalking us. The thing to do when you're impatient is to turn to your left and ask advice from your death. An immense amount of pettiness is dropped if your death makes a gesture to you, or if you catch a glimpse of it, or if you just have the feeling that your companion is there watching you.
The issue of our death is never pressed far enough. Death is the only wise adviser that we have. Whenever you feel, as you always do, that everything is going wrong and you're about to be annihilated, turn to your death and ask if that is so. Your death will tell you that you're wrong; that nothing really matters outside its touch. Your death will tell you, "I haven't touched you yet."
One of us here has to change, and fast. One of us here has to learn again that death is the hunter, and that it is always to one's left. One of us here has to ask deaths advice and drop the cursed pettiness that belongs to men that live their lives as if death will never tap them.

Think of your death now. It is at arm's length. It may tap you any moment, so really you have no time for crappy thoughts and moods. None of us have time for that. The only thing that counts is action, acting instead of talking.
When a man decides to do something he must go all the way, but he must take responsibility for what he does. No matter what he does, he must know first why he is doing it, and then he must proceed with his actions without having doubts or remorse about them.
Look at me, I have no doubts or remorse. Everything I do is my decision and my responsibility. The simplest thing I do, to take you for a walk in the desert for instance, may very well mean my death. Death is stalking me. Therefore, I have no room for doubts or remorse. If I have to die as a result of taking you for a walk, then I must die.
You on the other hand, feel that you are immortal, and the decisions of an immortal man can be cancelled or regretted or doubted. In a world where death is the hunter, my friend, there is not time for regrets or doubts. There is only time for decisions.
When you get angry you always feel righteous. You have been complaining all your life because you don't assume responsibility for your decisions. To assume the responsibility of one's decisions means that one is ready to die for them. It doesn't matter what the decision is. Nothing could be more or less serious than anything else. In a world where death is the hunter there are no small or big decisions. There are only decisions that we make in the face of our inevitable death.
In order to find the proper place to rest all one has to do is to cross the eyes. The technique takes years to perfect. It consists of gradually forcing your eyes to see separately the same image. The lack of image conversion entails a double perception of the world; this double perception allows one the opportunity of judging changes in the surroundings, which the eyes are ordinarily incapable of perceiving. Looking in short glances allows the eyes to pick out unusual sights. They are not sights proper, they are more like feelings. If you look at a bush or a tree or a rock where you may like to rest, your eyes can make you feel whether or not that's the best resting place. I don't care what you see. How you feel is the important issue. It takes a long time to train the eyes properly. The trick is to feel with your eyes. Your problem now is that you don't know what to feel. It'll come to you, though, with practice.
No one can tell you what you are supposed to feel. It is not heat, or light, or glare, or color. It is something else. Once you learn to separate the images and see two of everything you must focus your attention in the area between the two images. Any change worthy of notice would take place there, in that area. The feeling that you get is what counts. I can't tell you how to feel. You must learn that yourself.
I hunt in order to live. I can live off the land, anywhere. To be a hunter means that one can see the world in different ways. In order to be a hunter one must be in perfect balance with everything else, otherwise hunting would become a meaningless chore.
Today we took a little snake. I had to apologize to her for cutting her life off so suddenly and so definitely; I did what I did knowing that my own life will also be cut off someday in very much the same fashion, suddenly and definitely. So, all in all, we and the snakes are on a par. One of them fed us today.
Hunters must be exceptionally tight individuals. A hunter leaves very little to chance. For your purposes it doesn't really matter whether you learn about plants or about hunting. I am a hunter. I leave very little to chance. Perhaps I should explain to you that I learned to be a hunter. I have not always lived the way I do now. At one point in my life I had to change. Now I'm pointing the direction to you. I'm guiding you. I know what I'm talking about; someone taught me all this. I didn't figure it out for myself.
I'm having a gesture with you. Other people have had a similar gesture with you; someday you yourself will have the same gesture with others. Let's say that it is my turn. One day I found out that if I wanted to be a hunter worthy of self-respect I had to change my way of life. I used to whine and complain a great deal. I had good reasons to feel short-changed. I am an Indian and Indians are treated like dogs. There was nothing I could do to remedy that, so all I was left with was my sorrow. But then my good fortune spared me and someone taught me to hunt. And I realized that the way I lived was not worth living ... so I changed it.
I laugh a great deal because I like to laugh, yet everything I say is deadly serious.
It is getting dark. The world is very strange at this time of the day. We are very noticeable here and something is coming to us. It may seem to be wind to you, because wind is all you know. Here it comes. Look how it is searching for us. It's something that hides in the wind and looks like a whorl, a cloud, a mist, a face that twirls around. It moves in a specific direction. It either tumbles or it twirls. A hunter must know all that in order to move correctly.
To believe that the world is only as you think it is, is stupid. The world is a mysterious place. Especially in the twilight. This can follow us. It can make us tired or it might even kill us. At this time of the day, in the twilight, there is no wind. At this time there is only power.
If you would live out here in the wilderness you would know that during the twilight the wind becomes power. A hunter that is worth his salt knows that, and acts accordingly. He uses the twilight and that power hidden in the wind. If it is convenient to him, the hunter hides from the power by covering himself and remaining motionless until the twilight is gone and the power has sealed him into its protection.
The protection of the power seals you like in a cocoon. A hunter can stay out in the open and no puma or coyote or slimy bug could bother him. A mountain lion could come up to the hunters nose and sniff him, and if the hunter does not move, the lion would leave. I can guarantee you that.
If the hunter, on the other hand, wants to be noticed all he has to do is to stand on a hilltop at the time of the twilight and the power will nag him and seek him all night. Therefore, if a hunter wants to travel at night or if he wants to be kept awake he must make himself available to the wind.
Therein lies the secret of great hunters. To be available and unavailable at the precise turn of the road.
You must learn to become deliberately available and unavailable. As your life goes now, you are unwittingly available at all times. To be unavailable does not mean to hide or to be secretive but to be inaccessible. It makes no difference to hide if everyone knows that you are hiding.
We are fools, all of us, and you cannot be different. At one time in my life I, like you, made myself available over and over again until there was nothing of me left for anything except perhaps crying. And that I did, just like yourself.
You must take yourself away. You must retrieve yourself from the middle of the road. Your whole being is there, thus it is of no use to hide; you would only imagine that you are hidden. Being in the middle of the road means that everyone passing by watches your comings and goings.
The art of a hunter is to become inaccessible. To be inaccessible means that you touch the world around you sparingly. You don't expose yourself to the power of the wind unless it is mandatory. You don't use and squeeze people until they have shriveled to nothing, especially the people you love.
To be unavailable means that you deliberately avoid exhausting yourself and others. It means that you are not hungry and desperate.
A hunter knows he will lure game into his traps over and over again, so he doesn't worry. To worry is to become accessible, unwittingly accessible. And once you worry you cling to anything out of desperation; and once you cling you are bound to get exhausted or to exhaust whoever or whatever you are clinging to.
I've told you already that to be inaccessible does not mean to hide or to be secretive. It doesn't mean that you cannot deal with people either. A hunter uses his world sparingly and with tenderness regardless of whether the world might be things, or plants, or animals, or people, or power. A hunter deals intimately with his world and yet he is inaccessible to that same world. He is inaccessible because he's not squeezing his world out of shape. He taps it lightly, stays for as long as he needs to, and then swiftly moves away leaving hardly a mark.
A good hunter knows one thing above all--he knows the routines of his prey. That's what makes him a good hunter. A hunter that is worth his salt does not catch game because he sets his traps, or because he knows the routines of his prey, but because he himself has no routines. He is free, fluid, unpredictable.
In order to be a hunter you must disrupt the routines of your life. I am concerned with the things animals do; the places they eat; the place, the manner, the time they sleep; where they nest; how they walk. These are the routines I am pointing out to you so you can become aware of them in your own being.
All of us behave like the prey we are after. That, of course, also makes us prey for something or someone else. Now, the concern of a hunter, who knows all this, is to stop being a prey himself. It takes time. You could begin by not eating lunch every single day at twelve o'clock.
A good hunter changes his ways as often as he needs. A hunter must not only know about the habits of his prey, he also must know that there are powers on this earth that guide men and animals and everything that is living. Powers that guide our lives and our deaths.
All of us are fools. You always feel compelled to explain your acts, as if you were the only man on earth who's wrong. It's your old feeling of importance. You have too much of it; you also have too much personal history. On the other hand, you don't assume responsibility for your acts; you're not using your death as an adviser, and above all you are too accessible.
One must assume responsibility for being in a weird world. For you the world is weird because if you're not bored with it you're at odds with it. For me the world is weird because it is stupendous, awesome, mysterious, unfathomable; my interest has been to convince you that you must assume responsibility for being here, in this marvelous world, in this marvelous desert, in this marvelous time. I want to convince you that you must learn to make every act count, since you are going to be here for only a short while, in fact, too short for witnessing all the marvels of it.
Change! If you do not respond to that challenge you are as good as dead. You have never taken the responsibility for being in this unfathomable world. Therefore, you were never an artist, and perhaps you'll never be a hunter. There is one simple thing wrong with you-- you think you have plenty of time. You think your life is going to last forever.
Now you're vehemently asserting some nonsense. You don't have time for this display. This, whatever you're doing now, may be your last act on earth. It may very well be your last battle. There is no power which could guarantee that you are going to live one more minute. If this were your last battle on earth, I would say that you are an idiot. You are wasting your last act on earth in some stupid mood.
You have no time, my friend, no time. None of us have time. Don't just agree with me. Act upon it. What I recommend you to do is to notice that we do not have any assurance that our lives will go on indefinitely. Change comes suddenly and unexpectedly, and so does death. There are some people who are very careful about the nature of their acts. Their happiness is to act with the full knowledge that they don't have time; therefore, their acts have a peculiar power.
Acts have power. Especially when the person acting knows that those acts are his last battle. There is a strange consuming happiness in acting with the full knowledge that whatever one is doing may very well be one's last act on earth. I recommend that you reconsider your life and bring your acts into that light.
You don't have time, my friend. That is the misfortune of human beings. None of us have sufficient time. Your acts cannot possibly have the flair, the power, the compelling force of the acts performed by a man who knows that he is fighting his last battle on earth.
We are all going to die. There is something out there waiting for me, for sure; and I will join it, also for sure. Use it. Focus your attention on the link between you and your death, without remorse or sadness or worrying. Focus your attention on the fact you don't have time and let your acts flow accordingly. Let each of your acts be your last battle on earth. Only under those conditions will your acts have their rightful power. Otherwise they will be, for as long as you live, the acts of a timid man. There is no time for timidity, simply because timidity makes you cling to something that exists only in your thoughts. It soothes you while everything is at a lull, but then the awesome, mysterious world will open its mouth for you, as it will open for every one of us, and then you will realize that your sure ways were not sure at all. Being timid prevents us from examining and exploiting our lot as men.
Our death is waiting and this very act we're performing now may well be our last battle on earth. I call it a battle because it is a struggle. Most people move from act to act without any struggle or thought. A hunter, on the contrary, assesses every act; and since he has an intimate knowledge of his death, he proceeds judiciously, as if every act were his last battle. Only a fool would fail to notice the advantage a hunter has over his fellow men. A hunter gives his last battle its due respect. It's only natural that his last act on earth should be the best of himself. It's pleasurable that way. It dulls the edge of his fright.
I've told you, this is a weird world. The forces that guide men are unpredictable, awesome, yet their splendor is something to witness. Call them forces, spirits, airs, winds, or anything like that.

At moments of power, the world of ordinary affairs does not exist and nothing can be taken for granted.
I've told you never to carry anything in your hands when you walk. Get a knapsack.
Now it's time for you to become accessible to power, and you are going to begin by tackling dreaming.
A warrior seeks power, and one of the avenues to power is dreaming. What you call dreams are real for a warrior. You must understand that a warrior is not a fool. A warrior is an immaculate hunter who hunts power; he's not drunk, or crazed, and he has neither the time nor the disposition to bluff, or to lie to himself, or to make a wrong move. The stakes are too high for that. The stakes are his trimmed orderly life which he has taken so long to tighten and perfect. He is not going to throw that away by making some stupid miscalculation, by taking something for being something else.
Dreaming is real for a warrior because in it he can act deliberately, he can choose and reject, he can select from a variety of items those which lead to power, and then he can manipulate them and use them, while in an ordinary dream he cannot act deliberately.
In dreaming you have power; you can change things; you may find out countless concealed facts; you can control whatever you want. You're going to learn how to make yourself accessible to power.
Power is something a warrior deals with. At first it's an incredible, far-fetched affair; it is hard to even think about it. Then power becomes a serious matter; one may not have it, or one may not even fully realize that it exists, yet one knows that something is there, something which was not noticeable before. Next power is manifested as something uncontrollable that comes to oneself. It is not possible for me to say how it comes or what it really is. It is nothing and yet it makes marvels appear before your very eyes. And finally power is something in oneself, something that controls one's acts and yet obeys one's command.
I am going to teach you right here the first step to power. I am going to teach you how to set up dreaming. To set up dreaming means to have a concise and pragmatic control over the general situation of a dream, comparable to the control one has over any choice in the desert for instance, such as climbing up a hill or remaining in the shade of a water canyon. You must start by doing something very simple. Tonight in your dreams you must look at your hands.
Don't think it's a joke. Dreaming is as serious as seeing or dying or any other thing in this awesome, mysterious world. Think of it as something entertaining and don't get discouraged or stop trying if you don't succeed right away. Imagine all the inconceivable things you could accomplish. A man hunting for power has almost no limits in his dreaming. The trick in learning to set up dreaming is obviously not just to look at things but to sustain the sight of them. Dreaming is real when one has succeeded in bringing everything into focus. Then there is no difference between what you do when you sleep and what you do when you are not sleeping.
A warrior has to be perfect in order to deal with the powers he hunts. Look at your hands. When they begin to change shape you must move your sight away from them and pick something else, and then look at your hands again. It takes a long time to perfect this technique.
Any warrior could become a man of knowledge. As I told you, a warrior is an impeccable hunter that hunts power. If he succeeds in his hunting he can be a man of knowledge.
You are a man and like any man you deserve everything that is a man's lot--joy, pain, sadness and struggle. The nature of one's acts is unimportant as long as one acts as a warrior. If you really feel that your spirit is distorted you should simply fix it--purge it, make it perfect--because there is no other task in our entire lives which is more worthwhile. Not to fix the spirit is to seek death, and that is the same as to seek nothing, since death is going to overtake us regardless of anything. To seek the perfection of the warrior's spirit is the only task worthy of our manhood.
No matter how much you like to feel sorry for yourself, you have to change that. It doesn't jibe with the life of a warrior.
The hardest thing in the world is to assume the mood of a warrior. It is of no use to be sad and complain and feel justified in doing so, believing that someone is always doing something to us. Nobody is doing anything to anybody, much less to a warrior.
You are here, with me, because you want to be here. You should have assumed full responsibility by now, so the idea that you are at the mercy of the wind would be inadmissible.

Self-pity doesn't jibe with power. The mood of a warrior calls for control over himself and at the same time it calls for abandoning himself.
Ordinary dreams get very vivid as soon as you begin to set up dreaming. That vividness and clarity is a formidable barrier. Don't be distracted from the purpose of dreaming, which is control and power.
I'm going to remind you of all the techniques you must practice. First you must focus your gaze on your hands as the starting point. Then shift your gaze to other items and look at them in brief glances. Focus your gaze on as many things as you can. Remember that if you only glance briefly the images do not shift. Then go back to your hands.
Every time you look at your hands you renew the power needed for dreaming, so in the beginning don't look at too many things. Four items will suffice every time. Later on you may enlarge the scope until you can cover all you want, but as soon as the images begin to shift and you feel you are losing control go back to your hands.
When you feel you can gaze at things indefinitely you will be ready for a new technique. I'm going to teach you this new technique now, but I expect you to put it to use only when you are ready.
The next step in setting up dreaming is to learn to travel. The same way you have learned to look at your hands you can will yourself to move, to go places. First you have to establish a place you want to go to. Pick a well-known spot--perhaps your school, or a park, a friend's house--then, will yourself to go there.

This technique is very difficult. You must perform two tasks: you must will yourself to go to the specific locale; and then, when you have mastered that technique, you have to learn to control the exact time of your traveling. You are making yourself accessible to power; you're hunting it and I'm just guiding you.
Last night when the lion let out a scream, you moved very well. Everything you did then was done within a proper mood. You were controlled and at the same time abandoned. You were not paralyzed with fear. To climb that bluff as you did, in darkness, required that you hold on to yourself and let go of yourself at the same time, that's what I call the mood of a warrior.
I wanted to show you that you can spur yourself beyond your limits if you are in the proper mood. A warrior makes his own mood. You didn't know that. Fear got you into the mood of a warrior, but now that you know about it, anything can serve to get you into it.
It's convenient to always act in such a mood, it cuts through the crap and leaves one purified. One needs the mood of a warrior for every single act, otherwise one becomes distorted and ugly. There is no power in a life that lacks this mood.
A warrior is a hunter. He calculates everything. That's control. But once his calculations are over, he acts. He lets go. That's abandon. A warrior is not a leaf at the mercy of the wind. No one can push him; no one can make him do things against himself or against his better judgment. A warrior is tuned to survive, and he survives in the best of all possible fashions.
A warrior could be injured but not offended. For a warrior there is nothing offensive about the acts of his fellow men as long as he himself is acting within the proper mood.

The mood of a warrior is not so far-fetched for yours or anybody's world. You need it in order to cut through all the guff. To achieve the mood of a warrior is not a simple matter. It is a revolution. To regard the lion and the water rats and our fellow men as equals is a magnificent act of the warrior's spirit. It takes power to do that.